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Natures Nation American Art and Environment Reviewed by Hannah Stamler the Nation

From left: Memory of Memories by John Halaka; a slice from the Irresolute Perceptions series by Helen Zughaib; and epitome from 2016 installation Etel Adnan: The Weight of the World. Photos Courtesy: Creative person's website; artist's website; and Tristan Fewings/Getty Images for Serpentine Galleries

Whether they're based in Sudan or Michigan, Arab American artists accept shaped the world of art in meaningful means, bringing perspectives and lived experiences to their work that other artists merely tin can't. Not only does this underscore their importance in the art world, but it reaffirms the demand for an array of different makers to add their points of view to the larger canon of art history.

In celebration of National Arab American Heritage Calendar month (NAAHM), we're spotlighting 10 of the almost influential contemporary Arab American artists. Although their mediums vary profoundly, these creators — artists, filmmakers, writers and activists — continue to use their artistry to bring sensation to our ingrained cultural perceptions of organized religion, gender, race and more.

Abdelali Dahrouch

Abdelali Dahrouch was built-in in Tangier, Morocco, but grew upwards in Kingdom of morocco and France before emigrating to the Usa in 1984. He graduated from the Pratt Institute in New York City with a Masters of Fine Arts (MFA). Later, Dahrouch was a fellow in residence at a handful of places, including the Medamedia Center for the Arts in Plasy, Czech republic, and the Whitney Museum of American Art Independent Study Program in New York.

Installation view at Pomona College Museum of Art. Photo Courtesy: Benton Museum of Art, Pomona College

Every bit an artist, he covers a multifariousness of mediums and could be described every bit a writer, activist, and video installation creative person. Past using his artwork to interface between ecology, Buddhism, and Postcoloniality — and how information technology has afflicted transnational migration concerning N Africa and the Heart East — Dahrouch is, undoubtedly, an artist to know.

In 1 interview, Athir Shayota expressed that the state of contemporary international art exists in at least ii forms. He says that one is a market-driven product that reflects on benign notions and doesn't challenge the observer — and the other is a politically witting, relevant and interventionist 1. Shayota is skeptical of the market-side of things — after all, fine art (and artists) shouldn't be a trend.

Double Portrait (2004) by Athir Shayota. Photograph Courtesy: New York Portrait Serial 2003–2005; artist's site

Currently a painter based in New York, Shayota attended the College of Creative Studies in Detroit before going onto Washington University in St. Louis, Missouri, where he received an MFA. While his education as an artist was Western-centric, Shayota made a concerted effort to learn near art from other non-white, not-Eurocentric cultures, which has undoubtedly informed his work.

Etel Adnan

Etel Adnan was a queer Lebanese American visual artist, poet, and essayist built-in in Beirut, Lebanon in 1925. She grew upwards speaking Turkish, Greek and Arabic in Lebanon, and studied English during her youth. In 2003, the Multi-Ethnic Literature of the United States (MELUS) named Adnan the most-celebrated and accomplished Arab American author writing at the time.

Etel Adnan's Feux d'Artific (2014) as shown in the 2016 Etel Adnan: The Weight of the Earth installation at the Serpentine Gallery in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Serpentine Galleries

But Adnan is likewise an accomplished visual artist, who's known for applying oil pigment to canvass with a palette pocketknife. During her lifetime, she received a Lifetime Achievement Award from the Radius of Arab American Writers (RAWI). Although she passed abroad in 2021 at the historic period of 96, Adnan was survived by her longtime partner, fellow Lebanese American artist Simone Fattal.

Helen Zughaib

Born in Beirut, Lebanon, Helen Zughaib has lived in the Middle East and Europe, merely eventually came to the U.S. to written report art at Syracuse Academy, where she earned a BFA. A painter and multimedia artist, Zughaib works primarily in gouache, ink on board, and canvas — though her mixed-media installations besides involve forest, cloth and fifty-fifty ready-made objects, like shoes.

From left: Helen Zughaib's Syrian Migration (14) from the Migrations series and Out of the Box from the Arab Spring series. Photos Courtesy: Artist's website

Zughaib's work has been exhibited in galleries in Lebanon likewise as throughout Europe and the U.S. Many of her works are also featured in both private and public collections, including those of the White House, the Library of Congress, and the American Embassy in Baghdad, Iraq.

Huda Fahmy

Growing up in Dearborn, Michigan with a Syrian mother and an Egyptian begetter, Huda Fahmy spoke Arabic at habitation and went to a individual Islamic school. When she started public school, she didn't know any English, but learned to do so by reading comics like Garfield and Calvin and Hobbes. These works likewise taught her how to tell a story — and certainly inspired something in her.

Photos Courtesy: Goodreads

A former eye and loftier school teacher, Fahmy never took formal art lessons before becoming a published artist and writer. While on leave from work with her infant son, she felt motivated to create comics in response to the United States' bigoted "Muslim Ban" in 2017. Since then, Fahmy has used humour in her comics to address stereotypes and other hard situations that Muslim people face while living in the U.S.

John Halaka

An artist and film producer, John Halaka's work raises questions about personal, political, and cultural concerns, specially most cycles of repression and displacement. His recent documentary investigates the construction of identity from familial, political, and personal perspectives.

From left: Border & Boundaries and Memory of Memories by John Halaka. Photos Courtesy: Artist's website

But Halaka is also known for memorializing the diaspora of the Palestinian people, which brought to his listen the Trail of Tears — the U.Due south. government-organized genocide against several Indigenous tribes who lived on country e of the Mississippi River. Ane of his series, Landscapes of Want, was inspired by the ruins of homes and villages in Palestine, which take been actively destroyed since 1948.

Mariam Ghani

Built-in in New York, Mariam Ghani is an Afghan American instructor, filmmaker, lensman and activist. Only that'southward not all that's on her resume; Ghani also works equally an archivist, author and lecturer.

Like Water From a Rock (Petroleum Playground) by Mariam Ghani. Photo Courtesy: Artist'due south website

While growing upward, Ghani couldn't travel to Afghanistan. Finally, she was able to visit in 2002. Since 2004, she'southward worked on a multimedia project chosen Index of the Disappeared, a record of the detention of immigrants by the United States afterwards nine/eleven and an exploration of the public'southward handling of immigrants.

Mohammed Omar Khalil

Built-in in Burni, Sudan, Mohammed Omar Khalil is a printmaker and painter. He was educated in Khartoum and later studied fresco painting and printmaking at the Academy of Fine Arts in Florence, Italy, before becoming a resident artist at Darat Al Funun in Amman, Jordan in 1993.

Homage to Salah Abd al-Sabour (1991) by Mohammed Omar Khalil. I of three in a serial. Lithograph printed in black ink featuring wrestlers on the upper part and paperclip shapes on the more abstract bottom one-half. Analogy of a verse form past Khalil Hawi. Photo Courtesy: The British Museum

In the 1970s, Khalil came to New York's fine art scene. Since and then, he's been considered one of the most meaning artists of his generation. Although a flood in Khartoum destroyed much of his early on piece of work, a few pieces from his pre-1988 period survived.

Rheim Alkadhi

Rheim Alkadhi was born in New York to an American mother and Iraqi father, going back and forth between Baghdad and New England as a child until the Iran-Iraq State of war. At that point, her family moved to the U.Southward. full time. Yet, Alkadhi has continued to travel for her work, which uses images, text and objects.

Piece from Majnoon Field, a 2019 exhibition beyond multiple mediums, which references the Majnoon oil field of Southern Iraq. Photos Courtesy: Temporary Gallery

One case of her work, Night Taxi , includes a video accompanied by a road, meter, and a fare that counts down the milliseconds leading upward to crossing a geographical border. Other well-known works include Moving-picture show City Body, which depicts the visual verse of everyday life, and the above installations from the Majnoon Field exhibition, which refers to an oil field in Iraq.

Yasmine Nasser Diaz

Born to Yemeni parents in Chicago, Yasmine Diaz creates mixed-media collages, fiber etchings and immersive installations. Although information technology varies greatly in terms of aesthetics, her work carries a thematic thread, often focusing on the ideas of soft power, growing upwardly as a Yemeni American and 3rd-culture identity.

Photo of the installation For Your Eyes Only (2021) past Yasmine Nasser Diaz. Photo Courtesy: Juliet Hinely and Austin Thomason via artist'due south website

In 2021, she exhibited a chamber installation called For Your Eyes Only (above), which explored the systemic oppression of women and third culture identity in the Global S. "Freedom and rights movements practice not exist in a vacuum and are often informed by one another," said curator Lila Nazemian when writing about Diaz's work and how it relates to diasporic communities. "Diaz'due south installation [For Your Eyes Only] presents a layered constellation of interrelated realities beyond borders, identities and eras that accept the potential to align along intersectional and transnational movements of solidarity."

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